The reference to four corners being suggestive of the four points of a compass or the four corners of the world: But their identification with one another may have another source as well.
Summary and Explanation of the Poem Mirror: It is this rebellion, this presumptuous arrogation of autonomy, that accounts for the shocking image of the terrible fish in the poem's concluding line. As a teenager, she wrote in her journal: We will talk here more about the feelings conveyed in the poem.
The monster in the depths, in other words, is also the monster on the surface, perhaps more accurately the monstrosity of mere surface or lack of depth. I feel infinitely sad at the thought of all this time melting farther and farther away from me as I grow older. As the poem progresses, the tone of the persona changes from despondent, to hopeful, to confident in the final line: Lines So, we know the mirror believes that it is important to the woman, and so it appears — she looks at herself each morning, so reliant has she become.
What would have happened," Plath wonders, "if I had managed to pierce that looking-glass?
Just as a person throwing a stone into the lake witnesses. So the poem begins: Most of the time I meditate on the opposite wall. Rhyme tends to secure the lines, anchor them in a familiar sound, but here the poet has chosen to end each line with a different word, virtually unrelated in sound or texture.
So the mirror becomes the eye of a little god, metaphorically speaking. That is the price of creative autonomy viewed in terms of resistance and dissociation.
And in this she has lost her true self. Nevertheless, as we shall see, Plath certainly did manipulate her experiences inspired by the works of Frazer and Rank, thereby lending a broader perspective to her creative output.
Also, both stanzas have seven sentences each. In her final poems, she even distanced herself from the necessity of rebirth.
For obvious reasons, however, we cannot know this. The identification of the mirror with the terrible fish, then, erases the separation the dual identity was constructed to sustain. I am inhabited by a cry. The rather chilling description of a four-cornered eye further unsettles us; Sylvia tells us this is the shape of the eye of a little god.
However, Plath also suggests that the mirror is a little more sinister. Now I am a lake. Spare me from cooking three meals a day — spare me from the relentless cage of routine and rote.
The terrible fish is not so much an image in the poem as an image of the poem and its achievement, the self-generated product of its method.
The woman continues to subscribe to the male dread of female sexuality and to the male identification of female defiance or aggression with bestiality. It faces the pink wall with spots most of its time. She is the mirror who takes a kind of fierce pleasure in her uncompromising veracity and who, by rejecting the role of passive reflector for a more creative autonomy, becomes, in that same male-inscribed view, a devouring monster.
The reflection-soul, being external to the man, is exposed to much the same dangers as the shadow-soul [which] explain[s] the widespread custom of covering up mirrors or turning them to the wall after a death has taken place in the house. This aim is conceivably even more courageous than a reconciliation of the true and the false self, since it entails that the true self has nothing to support it or to hide behind.
To look into the glass is to look for oneself inside or as reflected on the surface of the mirror and to seek or discover oneself in the person or non-person of the mirror.
A woman is shown looking at her reflection in the lake. Papers on Language and Literature, Vol. Over the years, it is capable of multiple-ripple effects. Blending passive inactivity with devouring hostility, the poem presages the vengeful uprising of "Lady Lazarus" and "Daddy" while maintaining the innocent, expressionless appearance of paper, stone, mannequin, or doll.
I am afraid of getting married. There are … certain poems in her oeuvre … which distort reality and follow such a sick logic that they must be declared pathological.
If it can transform so radically, can its objectivity be trusted? To all of the primitive beliefs which Frazer describes, it was important to protect this soul or Double in order to preserve life.“Mirror”: Reflections of Truth In Sylvia Plath’s poem “Mirror”, the reader takes a look into the messages presented and compares them with the reflections that are cast in a mirror and images in a lake.
Sylvia Plath (/ p l æ θ /; October 27, – February 11, ) was an American poet, novelist, and short-story writer. Born in Boston, Massachusetts, she studied at Smith College and Newnham College at the University of Cambridge before receiving acclaim as a poet and fmgm2018.com: Ted Hughes (m.
The mirror is not interested in truth, alone Mirror. I am silver and exact. I have no preconceptions. Whatever I see I swallow immediately Just as it is, unmisted by love or dislike.
Sylvia Plath: Poems study guide contains a biography of poet Sylvia Plath, literature essays, quiz questions, major themes, characters, and a full summary and analysis of select poems. In this poem, a mirror describes its existence and its owner, who grows older as the mirror watches. she continually returns to the mirror for the truth.
Sylvia Plath: Poems Questions and Answers. The Question and Answer section for Sylvia Plath: Poems is a great resource to ask questions, find answers, and discuss the novel. Mirror The Mirror is a poem that discusses the quality of the mirror and difficulty of seeing deeper into ones self.
The speaker in the poem is the mirror, which describes itself in human-way form throughout the poem. The form of the poem is like a riddle. The mirror has a mind of its own.Download